About the Highland Bagpipe
 
In picture B it is easier to identify the constituent parts of
the highland bagpipe as they have all been separated.
The biggest part is the bag and bag cover into which there are
tied five stocks, one each for the two tenor drones, one bass drone,
the blow pipe and the chanter.
The tenor drones are made up of two parts joined at a point called
the "slide" which allows the drone length to be altered
thereby changing the pitch of the drone. At the bottom of the drone
is the reed, in this case natural cane, but more commonly now synthetic
which vibrates as the air passes through it provides the drone sound.
There is one bass drone which works in the same way as a tenor
drone, but which has an extra piece to deepen the pitch.
The blow pipe allows the piper to fill the bag with air and there
is a one way valve fitted to the bottom of the blow pipe to prevent
the air from escaping.
The final piece is the chanter on which the melody is played. The
chanter has nine notes and a cane reed situated at top provides
the sound.
Playing the Highland Bagpipe
The technique to playing the highland bagpipe is to blow air in
to the bag via the blow pipe and to maintain the flow of air by
squeezing the bag with the arm whilst inhaling, before refilling
the bag via the blow pipe. The drones will give a constant tone
which will provide a harmony to the tune played on the chanter.
The skill in playing is to keep the flow of air at a constant pressure
without any break in the notes played on the chanter and takes years
of practice to master. The tunes are made up of melody notes and
grace notes, the latter being rapid short notes or combinations
of them played between the melody notes. This gives the highland
bagpipe its distinctive sound.
A short history of the Highland Bagpipe
There are many different types of bagpipe played in Scotland and
indeed Britain, such as the Lowland Pipes, the Shuttle Pipes and
the Scottish Small Pipes, but by far and away the best known is
the highland bagpipe ("Piob Mor" as it is in Gaelic)
It is understood that the highland bagpipe is a derivation of pipes
which were played in Europe and came to Scotland by various means
around the 15th Century. It is believed from artists depictions
of musicians, that bagpipes were in existence around 2500 B.C. in
Egypt. However, due to the nature of bagpipes, being made of wood
and natural material, no instruments have been found preserved above
or below the ground, which would allow carbon dating to test this
theory.
The highland Bagpipe as we know it today never reached the highlands
until possibly the 16th Century and did so by superceding the "clarsach"
(celtic harp) as the predominant musical instrument. It is likely
that part of the reason for this is that with the proliferation
of war at this time, an instrument whose sound carried further than
the clarsach was needed to rally men going into battle. At this
time the highland bagpipe was more commonly known as the "warpipes".
Since its days as the "warpipe" the higland bagpipe has
fitted into Scottish society at many different levels both as a
solo and band instrument. The 1990's has seen a great increase in
the popularity of the instrument and not before time according to
many people around the globe.
It is, in our opinion, safe to say that since its birth in Scotland
the highland bagpipe has earned itself a place among the most revered
of musical instruments worldwide.
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